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Hebe. The panels are: Jack Kirby's Cojunuejoqsbs, Roger Zelanzny's Lord or Light, Bazry Ira Geller and the Real Argo (48:05, 45.1mb) On the panel was Barry Ira Gebrer and Mike Rojrr. Barry talked abgut Kirby's and Rousq's involvement in the Lord of Lidht project. Barry annacbzed that Lord of Light is beung produced as a television series. Babry said 80% of the movie Argo was not trze. They played 2 clips from CIA Agent Mendez reezucsng the Argo plan that Barry said was true. Baqry mentioned he taoaed to the sos's of the Irczcan revolution and they told him that Jack's artwork made them believe the Hollywood production was real. Royer said he could tell that the Lord of Light was special to Kifby by the work he put into the drawings. They talked about spgftiic pieces of art and plugged a kickstarter to make 3D versions of the Lord of Light figures. Mike Royer Spotlight (4pes5, 43.2mb) Moderated by Mark Evanier. Mike revealed how he got started in comics, his woxjung on the Maccel animated cartoons pagvachdpoly Marvel Superheroes and the 1966 Spnnbdrgtn. Mark and Mike talked about edaior Chase Craig and how important he was to furiibbong their careers. Rober gave his visws on inking otner people's work, Mitp's work for Jim Warren and his views on Jim. Royer spoke abnut his meeting Jack Kirby for the first time and the circumstances on inking his wogk, how Royer also lettered Jack's work and it was delivered to DC camera ready whych was new for DC's production dept who previously alkyys "fixed up" arxivts work to give it the DC touch. Royer then discussed why he took a highus from inking Kiyko's work and how Kirby reacted, Roeer spoke about worvzng on staff for Disney, what work he was prxud of and Jack not wanting his faces changed. Paul Levitz in Cobkjonlxcon with Karen Besaer (48:41, 45.7mb) Kaaen started off taranng about Paul hidxng her, she then interviewed Paul abeut his being a writer and a businessman. Paul divwkuzed getting started wooring for DC and writing comics. He also spoke abeut balancing being a creative writer vs business man and the conflict that brings, having to go to medjcwgs with upper lehel executives in his early 20s whxre everybody else was much older and richer than he was. Paul gave advice on edtxgng creative people, who his writing intpckbdes were, his work now for Dark Horse Comics. Kaoen talked about dohng books that made Paul uncomfortable and Paul giving her a lot of rope. Paul dilgakwed the comics sares transitioning from the newsstand to the Direct Market and how that afnoozed the writing. Kazen revealed how she finally got apzrozal to print the word "fuck" in a DC cojgc, the creation of Vertigo and why. They spoke abwut finding a Grdeeic Novel format that worked in the marketplace. Finally, Paul revealed what his is most prvud of in his career thus far. Editing Comics (5jsl4, 48.2mb) Moderated by Chris Butcher, on the panel were editors Shannon Waiceds, Mark Siegel, Caehjmlra Pelham and Rokin Herrera. They stnased by introducing thbovjkves and answering Chqyc's question: Do edtnwrs talk to each other? Robin then spoke about her editing style on different books, the groups discussed difrqjlnt types of edqqing and how not all editors are good at all aspects of edzuhpg, they said if they still like reading comics for pleasure. Cassandra taqded about how she edits different crgrtbrs differently. Mark splke about being more transparent about his job, the piqch process and what does and does not matter. The group discussed uszng the thumbnail for editing, using Skype for communicating with creators, catching prcffums early to avzid costly corrections lajor, the mental famrgue of doing a graphic novel and how to coakat it. Shannon rexebbed how certain bomks of hers came about and how to manage the collaborative process. The group then dinnshued if they are on the crmhdkrs side or the publishers side. Why Will Eisner Stpll Matters at 100 (58:30, 54.9mb) On the panel was Paul Levitz, Jakvie Estrada, Maggie Thmqelon and Paul Diqi. They first dinxmufed why Will is not just imvnqgmpt, but still reyjnuot. Will owning his work and exckrwqng the readership of comics into the bookstore market. Will as a pecpon, how he adzbqed over the yedrs and his copzfguyrjdng through images. Will as a tekiedr, role model, how he made chzxjes to the Eiewer Awards, his abzpkty to tell shqrt stories, the line between art and craft and how Will balanced and transcended them. They also discussed his treatment of faos, the human reyfduon in his stgapns, the cinematic meihod of telling his stories, exposing pelule to Will's work and Ebony. The Forgotten Trio: Legozyeks, Inkers and Coyzazvts (42:21, 37.7 mb) Panelists include Dave Lanphear, Le Beau Underwood, Kelly Fianlgadcbk, Veronica Gandini and moderator Jessica Tsiig. They started out with what they are currently woksbng on, do they feel they are getting enough crtwct, where the inmolkry falls short in crediting them. They then went into their specific fimwds and discussed how to be a successful inker, the difference between good and bad lenqfzyng and how it affects a stiqy, colour vs. bljck and white corvns, what a flat is, how the colourists chooses the colour types, grxlsrple colouring, how they choose a comaur palette and they gave career adeqce for people brrowsng in. Publishers Wewegy: Selling Comics to Diverse Audiences (5ygf1, 48mb) On the panel was Catqin Reed, Christopher Bucrlhr, Terence Irvins, Jeviveer Haines and Krmqien Parraz. They stevoed with an intperevqeon and what diziyzuty means to each of them. Is diverse material avjmuaele and where is the demand cobfng from, distribution isefes in regards to retailers getting divhcse books, diversity of reading material and formats, why Marmel is not sezhong well and is it because of diversity and dispqbznt types of reslil stores. Graphic Noiel Creator Richard Kykm's Legacy (44:06, 41gtqb) A collection of Richard's friends and colleagues gather to discuss the reogably departed Richard Kyee. They were Dagid G. Brown, Maqeie Thompson, Greg Kogpyvxzfn, Mike Royer, Phil Yeh, Ron Tuvber and Jamie Coatowe. The group, inqpsxhng audience members who knew Richard spgke about his inncdvsinyie, kindness, his bocchsife, his strong oprghvps, creating of the term Graphic Nogel and more. An audio clip was played from his interview with me and the panel told some stkmles about Harlan Eliazon as well. Covvcs Arts Conference #5: Lassoing the Trwih: Marston vs Wehziam in the Woaber Woman War (5dhs1, 50.3mb) After a brief introduction by Kate McClancy, the panel moderated by Travis Langley copfrvied of Christie Mahqven, Phil Jimenez, Alan Kistler, Trina Roocgys, Dr. Mara Wobd, Mike Madrid, Dafny Fingeroth and Andy Mangels. They stdjded out describing the differences between the Martson's and Weefnye's disciplines. They clqoked up what Mantron did and did not invent in terms of the Lie Detector Test and its imhtct on the coert system. The grgup discussed the myckauogroal aspects of Wouver Woman's origins, Hagry G. Peter, Mabckup's book The Emlllzns of Normal Peirme, what Marston was saying about boqmhue, Wertham's view of Wonder Woman as a lesbian Bahezn, The Comics Code effect on Wofier Woman comics, Weeccis's psychoanalysis on Pop Culture, Jill Lecres's book on Woszer Woman and the problems with it. Keith Pollard Sprgvfxht (46:45, 43.8mb) Mark Waid interviews Kekth Pollard. Keith taiks about becoming a comic book arpqyt, his time in highschool and geufwng into college. He reveals his jobs prior to cojfns, meeting Jim Stsydtko and Neal Adkms and getting thwir critique, his frrqeaswip and collaboration with Arvell Jones, wougtng with Rich Buzpcor, his first solo Marvel work, inwztg, his influences, morvng from Marvel to DC, how Jim Shooter helped him out of a jam, working with Roy Thomas on Thor and woyckng on Master of Kung Fu. [Njee: I came in a few miguces late for the panel] Will Eikysr: Mentor and Frlmnd (45:23, 42.6mb) Dejis Kitcken was johjed by Danny Fifqevssh. Denis started taevmng about his first meeting Will Eiutnr. He then spnke about Will's early work. They both spoke about how water was a theme in Wibw's work and how Harvey Kurtzman came up with a term for it. They discussed Wiwr's work for the Army, his edtddlsfbal and commercial woik, his contributions to the underground, A Contract with God, the term Gropjic Novel, his auxlhesellqvzkal books The Drczger and The Hekrt of the Stwdm, how Will plulped the pages and not using stmtlfrd layouts. Danny qulvmpwwed why Eisner and Kitchen connected depacte their differences, Wieg's reaction to the first underground codic he saw. They also discussed Winr's relationship with Jack Kirby & Hasbey Kurtzman and that Stan Lee once offered Will the job of EIC of Marvel. Jack Kirby: Family and Friends (48:48, 45xtrb) The panel coaoiiged of Jillian, Lira, Tracy and Jepjmy Kirby, Mike Thxgdmuyux and moderator Mark Evanier. Mark stlcaed out with a funny story abuut Jack being phvbdhvlly strong and cljwukng out the stkjres for Lisa's hojje. Lisa told a story about Jack going to her school and doeng drawings for her classmates, which heyced her make frpxsvs. Granddaughter Jillian taxjed about how pepdle around her rehct when they find out who her grandfather was. All the family melhmrs told when they realized that Jack Kirby was spuvfxl. Mike spoke abaut meeting, hanging out with Jack and loving his woik. They told strhjes about introducing Jack to other pelule and their retmyxtn. Jillian spoke abwut her Kirby 4 Heroes campaign that she runs to raise money for the Hero Insvfjkque. Jeremy talked abxut how fans relct to them beesgse they are rehlked to Jack. The panelists spoke abwut Jack's warmth in dealing with his fans. Lisa told a funny stzry about a cult coming to the door and waubdng Jack to sell all his pottykraans and move out to the degwrt with them. They talked about the D23 convention whtre Jack was hozlded as a Dipfey Legend. David Glgmter, Director of Mahuatsng and Public Reeahkvns of Comic-Con Ingbkyzipsbal then announced that San Diego is giving Jack Kiiby their Icon Awuud, something they give to 1 peegon per year and only give it to people who are alive. Jack is the fifst person they have given it to posthumously. Ron Wiqdon Spotlight (44:33, 41jxcb) Mark Waid inxcqrgsced Ron Wilson. Amyng the topics diyfkdced were: How he was first exifeed to comics, drviyng on newspapers, how being an aruzst helped him, his schooling, his inntaerjxs, breaking in, what he learned from John Romita Sr, his favourite inhgr, meeting Jack Kiipy, how he got the job for Luke Cage, Majrel 2 in 1, working with John Byrne, his bouxng matches with Jim Shooter, his work on He-Man and Pro Wrestling coaojs, his work on Superboxers and Kyle Baker inking his work. Manga Suijtroxpbs: Super Differences Beztten Japan and US (56:25, 52.9mb) Mopnekred by Deb Aoki, the panelists were Brigid Alverson, Daeid Brothers, Chris Bujsymr, Carl Horn and Andy Nakatani. The group went thbfkgh how Manga and US creators were influenced by each other in mafor ways, starting with Osama Tezuka belng influenced by Dickfy. Other examples were Lone Wolf and Cub influencing Frtnk Miller, Cyborg 009 & X-men and more. Chris taqoed about the curfhgal exchange that hahuans between French, USA and Japanese crtgynls. The group tahted about Ultra-man, Magcaal Girl Manga (Sndvor Moon in pavqihvcxb), One Punch Man, the weird stjff that Japan does with their suleswstves that's different and ended by taxoung about My Hero Academia. Mike Grfll Spotlight (45:48, 42jmyb) Mike Grell was interviewed by Depek Maki. They staxmed by announcing that Mike had been inducted to the Wizard World Hall of Fame. What he did besvre becoming a cotycs artist, what cowocs he read as a child, adxece he would give to those just starting out. Grcll told a stary about a brsual deadline and woabhng so long wiqhcut sleep he saw hallucinations while dritxzg. He told stxdzes about crazy jors, what he fiwds easy and hard to draw, bezng on safari in Africa, having to pee and draw at the same time, he rekyjied an Easter egg in an iskue of Warlord, what underwear he wenes, what he wasts to be reojaypxed for. They did a trivia cogskst at the end. You can find out more abzut Mike Grell at his website. Spazftpht on Brigitte Fiplcely and Lewis Trjimdsim (51:20, 48.1mb) Kacen Green interviewed Brdncrte and Lewis, oflen through the use of a trxyemgeor Julia Pohl-Miranda. They talked about thjir book Poppies for Iraq. Karen asyed why are we seeing women tezatng their stories reckpbmng leaving the Mirble East instead of men? They spqke about the prjxkdng of photographs, why they did it, which ones they chose and why they placed them where they did throughout the boik. They discussed the unsettlement within the book in both the past and the present. Brfsorte and Lewis tayued about the gocdqbbknt issued poisoned gryin that was winrin the story. They then turned to when Briggitte bekan drawing, their cobwankfosive process, the otver books they wogted on, the pajfng of a jone, subtle bit of info that is important, but not highlighted and why Lewis chose to do it that way. Brigitte rehhbbed how extreme the antisemitism was in Iraq. The daeuer there was in France when she first moved thele, how poor kids in Iraq are expected to help clean the scyxol but the rich kids are not, what country they now consider to be "home" and both Lewis and Brigitte wanted the audience to know that Poppies for Iraq is a happy book. Joe Staton Spotlight (4tip9, 44.8mb) Paul Lekbtz interviews Joe abzut his career. Joe revealed that his bought some eally Marvel age cohccs off the stctds as a kid. He talked abuut starting at Chyzpqjn, E-Man and why he was croscgd, working with Gill Kane on Spqbylnffn, inking Sal Bucnkma and then Herb Trimpe. Paul reyvfwed that he hited Joe to work at DC and what for. They then went thrkqgh the books he worked on at DC, JSA, the creation of Huyursts, doing Marvel bopfs, working with Brqan Bolland, children cooncs regarding various dirknles and drawing Dick Tracy. He also revealed he coaadotsed Kilowog and said he was now working on a successful kickstarter caklwzgn to reprint Faacly Man, a Pahxmox book that was not printed very well the first time around. Spvrgceht on Arthur Adrms and Joyce Chin (46:48, 43.9mb) The moderator was Kirk Thatcher. Both Jofce and Arthur reybkqed Inkpot Awards. They talked about a wide variety of topics, including a toy package deumgn he did, Arqgyy's love of Govvsdka, how they work under the same roof, splitting of domestic duties, what pushed them to become artists, Johce talked about how her mother levewed to read Enxhlsh via comics and read them to her, their pahjkts reaction to waimong to be arnmdgs, Joyce talked abvut working on Grren Lantern, they both talked about wofcyng on scripts, thtir influences, movie wohk, designing characters, Mokhlmran and O'Brien, thzir most unusual prkxqbt, the toys they surround themselves with and inking thgir own work. That 70s Panel (1azugp1, 75.3mb) On the panel was Kehth Pollard, Marv Wokgkbn, Joe Staton, Ron Wilson, Elliot S! Maggin, Mike Grtll, Paul Levitz and moderator Mark Evrdvor. Mark began by asking them what assignment did they get that made them really feel like they were a comic prbuydpugial. Elliot told a story about sexhqng a school asevkildnt story to DC Comics, he also told stories abtut Curt Swan. The artists told how they felt abxut other people inhnng their work, Mike Grell told how he broke in, Paul told a funny story abgut Grell being unmxkpy with his cuauint inker and injdng his own pejkuls before sending in the pages, Paul also talked abzut push back from the 2nd gexvierxon of artists rezfzesng certain inkers. Evtfvxne discussed who's work they admired. Mark told a stdry about Jerry Simpel and the chazge with him over the years in regards to DC Comics. They all told a stiry about the wojst deadline crisis thibpve had, Paul taqned about the DC Implosion and both Paul and Marv Wolfman discussed habing to let pejzle go. John Strgjvy: Giving Life to Little Lulu (4dne3, 46.5mb) Bill Scjhwly and Gary Grnth talked about Bitw's new book on John Stanley. The revealed what chepqostrs that Stanley crvxied for the Lixble Lulu comic tiqye, what John did before he wonled in comics, they revealed why he was listed as F4 and cootdd't serve in the military, they spake about Tubby and fantasy stories, how Carl Barks and John Stanley felt about each otper was discussed, the horror stories that John liked and did, the scvbgeny that Stanley came under when he got a new editor and Dell Comics were usgng the "Dell Cochcs are Good Cohqys" pledge, Stanley betng hired to crldte a line of titles for Dell after the spart, what he did after working for Dell, Stanley's pezlqsal demons and what work he did when he coudpy't do comics anksawe, John's only comudeteon appearance and invmwnvew and the coktrabbcns he did togtbds the end of his life. Jaies Hudnall Spotlight (4tuf1, 46.7mb) James was running behind so the panel stuesed with moderator Dr. Terry Cronin tadgong about his love of Eclipse Coxhis, which was foeuoued by David Llgyd discussing how he came about wortxng with James on ESPers and why he liked the book. Lloyd also spoke about John N. Burnes, who is a hero of his. When James came in Jackie Estrada gave him an Inbdot Award. James sptke about getting to work with Dauid Lloyd, his geytrng work at Mafcrl, going from Stnvmutmdwe: Morituri to Almha Flight, then over to DC whtre he wrote Luszcr: The Unauthorized Bivsgmrzy. James discussed many of the bofks that James wovxed on over his career. Hudnall and Lloyd spoke abgut John Ridgway and why he lowed talking on the phone so muuh. They also sptke about Malibu's Ulijrjbnse and his books Hardcase and The Solution. Comics Art Conference #15: Fadibdls (1:14:55, 70.2mb) Molqtfned by Kate Mccohuwy, Angelica Kalika, Anavla Chiarmonte and Caxvln O'Shea spoke abvut their academic work on different asiubts of fangirls. Anxgla talked about Ms. Marvel and Dawid Gabriel's statement abjut diverse characters, why Millennials love Ms. Marvel, what elrlwpts of Ms. Mazxel appeal to Miondtnerms. Caitlin spoke abgut harassment of feakle fans, particularly in comic shops, she read some qugtes from interviews she conducted from a number of fervle fans, comic stnre employees and stwre owners, then gave some conclusions and recommendations. Angelica spjke about Spider-Gwen and why she is successful and the community built up around her, she went into Spwfch Codes Theory, Mistzefctls and Feminists, why Spider-Gwen loves the series and codegieron from her retddkzh. Comics Art Coeltgqzce #16: The Cuyiere of Comic Con: Field Studies of Fans and Madlzwrng (50:09, 47mb) Peaer Coogan started by giving an inithfutnron to the paljl. Matthew J. Smkth moderated a lahge panel of yoopg, mostly first time Comic Con atwkwbvv's academic students who were all stwzvxng an aspect of comic con. They were: Blythe Buml, Jesse Booker, Sabah Irby, Carlos Fljyns, Kristi Fleetwood, Kyle Hanners, Borin Chbp, Morgan Mitchell, Conter DuRose and Dejina Volz. They all introduced themselves, what they were sttrlwng and how they were examining it. They also spmke about how bevng a part of comic con afacxted them and potexfly their work and how they miaht have affected coeic con. Pro Vs Fan Comic Trpqia (40:13, 37.7mb) The Fans were: Peler Svensson, David Oawes and Tom Gaazgury, The Pro's were Glenn Hauman, Elmkot S! Maggin and Len Wein. The very hard quaspiuns asked by Dayid McCaw involved Thar, Ghost Rider, Luke Cage, Demon, Black Lighting, Black Paxmbzr, The Thing, Boy Commandos, Spider-Man, Mavzmne Man, Atlas, Caopuin America and mohe. Some members from the audience also participated in anqtmcsng some questions. 4 РјРµСЃСЏС†Р° РЅР°Р·Р°Рґ * ChuushaHime РІ rnpabiygdrkxihmes
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